1st Edition

Made in Thailand Studies in Popular Music

Edited By Viriya Sawangchot Copyright 2025
    218 Pages 31 B/W Illustrations
    by Routledge

    218 Pages 31 B/W Illustrations
    by Routledge

    Made in Thailand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth- and twenty-first century popular music in Thailand. The volume consists of essays by local experts and leading scholars in Thai music and culture, and covers the major figures, styles, and social contexts of popular music in Thailand. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance.

    Discussing musical development and shift of sociocultural spheres of Thai popular music among nationhood, media platforms, and identity politics from the early years to the present, these scholars explore and rethink the connections between the development of Thai popular music and politics of music genres in Thailand. Made in Thailand includes a general introduction to Thai popular music, followed by essays organized into four thematic sections: Histories, Contemporary Issues, Politics of Sound, and Region and Cultural Politics. Offering a comprehensive look at popular music phenomena in the country, Made in Thailand is an essential resource for scholars and students in the fields of popular music studies, ethnomusicology, popular musicology, Asian studies, and Thai studies.

    CONTENTS

    Preface

    Introduction
    VIRIYA SAWANGCHOT

    PART I : HISTORIES

    1    The Amplification of Modern Music: How Did Radio Broadcasting during the 1930s–1950s Influence Thai Modern Music?
    FRANCIS NUNTASUKON 

    2    The 1950s–1970s Pleng Lukgrung and the Modern Gender in Thailand
    JIRAWATE RUGCHAT

    3    The Revolution of Pleng String and Politics of the 1980s Generation
    VIRIYA SAWANGCHOT

    PART II : COMTEMPORARY ISSUES

    4    Reconstructing Thai Musical Identity: The Adaptation of Thai Classical Music to Popular Music in Recent Decades
    GREAT LEKAKUL

    5    Notes on Gender and Aesthetic Expression in Thai Indie Scene
    WANATAYA MONGKON and SIRIPAT NAKNAM 

    6    Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music Production
    ATCHAREEYA SAISIN

    7    Dancemocracy as Political Expression in the 2020 Thai Pro-democracy Movement
    ANNA LAWATTANATRAKUL

    PART III: POLITICS OF SOUND

    8    The Representations of Music Texts and the Female Voices in Haruethai Hirunya and Fon Tanasoontorn's "I Am Not Okay"
    KUNTHEE BANJUKEAW

    9    Noise: Relistening to Non-musical Sound in Thailand
    THATCHATHAM SILSUPAN

    10    A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
    PHAKPHOOM TIAVONGSUVAN

    11    Rod-Hae: Sound System Culture and Live Music Performance in Northeastern Thailand
    VIRIYA SAWANGCHOT and SIRASAR BOONMA

    PART IV: REGION AND CULTURAL POLITICS

    12    Popular Music and the (Global) South of Thailand in the Place-Making
    SIRIPORN SOMBOONBOORANA

    13    Song as a Resource for Cultural Translation: Tai Popular Music in the Borderlands of the Upper Mekong
    WASAN PANYAGAEW

    14    Morlam as Method: Isan Music and Its Knowledge  
    GRIDTHIYA GAWEEWONG and ARTHIT MULSARN

    CODA

    15    Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in China
    BRENDA CHAN

    AFTERWORD

    “Political Music Isn't Necessarily Boring": A Conversation with Pisitakun Kuantalaeng

     

    Biography

    Viriya Sawangchot is a cultural researcher based in Bangkok. Recently, he has been working as a senior researcher at the Center of Geosocial and Cultural Research for Sustainable Development (GSCR) at Walailak University, Thailand.